Milo Bianca

HAVE
WRITTEN

SOME CRITICAL CONSIDERATIONS CHOSEN FROM ESSAYS, CATALOGUES, ARTICLES BY A NUMBER OF CRITICS.

…Bianca’s vocation for experimentation, makes him one of the most forefront artist in Veneto region in the research on new expressive languages. … a deep dualism has permeated Milo Bianca’s painting since the beginning. A dualism issuing from the artist’s aspiration to move away from any source of objective inspiration in order to reach abstraction…
Roberta Alessandrini


…Milo Bianca, in fact, in his latest cycle of paintings ”Omaggio a Olivier Messiaen”, establishes with the French musician, not a pictorial transposition but a real parallel speech… …he develops a pictorial language that doesn’t entirely disown the original expressionism but, going through abstract expressionism, finally lands on the most advanced informal polimateric art…
Flavia Casagranda


…Nature, in Bianca, often appears evoked, rather than portrayed. Colours dialectically relate to shapes, showing the sense of movement towards a nowhere that is the place of the soul, while the sense of time and space seem to wear off…
Antonio Chiades


…his latest production fits in post-informal art, in a correspondence with Messiaen‘s music: a natural allusiveness made up of continuous, polished, chromatic vibrations…
Enzo Di Martino


…From the rythmical, mosaic pastels of the early Nineties, painter Milo Bianca has now landed on a figurative abstract expressionism, sort of “action painting”, in which everything transforms itself, either explodes in the joyful energy of his vision, or darkens and gets gloomy in a sort of sanguine dryness…
Antonio Faccio


…Through an informal language, he interprets, in a symbolic key, the avant-garde musical composition by Messiaen, giving birth to materic universes brought into relief by fiberglasses, opening to ancestral skies…
Gabriella Niero


…that transparent fiberglass film raised the painting from the deep and brought it forward, almost spreading it in the air (as it were music)… …seeing again some of his paintings, the same sensation came back to me: auditive and visual. The wild rhythm seemed to roll over from the painting to the surrounding space, getting into me as a heady poison…
Paolo Rizzi


…In the case of Milo Bianca, we are in front of an artistic motion that invites us to recover the sense of poetry which belongs to all forms of perception of the world…
Ruggero Sicurelli


…if on the one side, Milo Bianca’s painting loses a strong expressionistic charge, on the other side it gains a mysterious and spiritual dimension, due to the way he treats surfaces, where all sorts of informal suggestions melt together: from the use of relief materials to the most sophisticated transparencies and unexpected drips… …For sure the pictorial adventure of Milo Bianca doesn’t stop at the experience of colour and sign evoking music, but this event has marked his pictorial world for good, by enriching its emotional and visual substance…
Ottorino Stefani


Milo Bianca’s artistic path marks almost completely the second part of the 2oth century, with different moments, almost milestones, that point out the many transformations, the many changes due to an everlasting research, a gradual improvement, new affirmations and conquests. Since the first works, inspired to the native environment and to the great contemporary masters’ art, to the maturity works, the artist gives proof of strong determination and control of his own capacities, as well as autonomy in form and technique together with a clear, rigorous individuality…
Paolo Tieto